#HFF25: THE AMAZING SEX LIFE OF RABBITS, reviewed
In his new original play where a mysterious dinner between two couples erupts into a class war, Michael Shaw Fisher
#HFF25: GRIEF BABY’S FIRST ROAD TRIP, reviewed
Writer/actor/sojourner Adedana Ashebir, goes much farther than she has to in order to feel the father she’s lost to cancer.
#HFF25: PARIS & JULIET, reviewed
In PARIS & JULIET, we get lessons in love, the Paris Method. This enables British writer/performer Charlie Day to explore
#HFF25: ST. NICHOLAS, reviewed – GiaOnTheMove.com
COPYRIGHT NOTICE All reviews, interviews, essays and other original materials have been written and/or recorded exclusively for Gia On The
#HFF25: SUGAR MUD, reviewed – GiaOnTheMove.com
COPYRIGHT NOTICE All reviews, interviews, essays and other original materials have been written and/or recorded exclusively for Gia On The
THE RESERVOIR at The Geffen Playhouse
“Well, the Geffen sure knows their audience,” remarked my guest at the media preview of, THE RESERVOIR. And I’d have
#HFF25: MS. EDWARDS, reviewed – GiaOnTheMove.com
COPYRIGHT NOTICE All reviews, interviews, essays and other original materials have been written and/or recorded exclusively for Gia On The
#HFF25: NO, reviewed – GiaOnTheMove.com
COPYRIGHT NOTICE All reviews, interviews, essays and other original materials have been written and/or recorded exclusively for Gia On The
#HFF25: A PERFECTLY STILL CURVEBALL, reviewed
A PERFECTLY STILL CURVEBALL by Pam Everhardt is the latest offering from Fringe stalwarts The Unknown Artists, a company name
#HFF25: Bless Your Heart, reviewed
One of the most striking elements of BLESS YOUR HEART was the palpable enthusiasm and joy surrounding this new work