#HFF23: THIS SHOW IS SURROUNDED BY TRUE EVENTS, reviewed
To call a play “important” is often a platitude, but for …TRUE EVENTS, it’s accurate. And well worth your time.
#HFF24: THE PLANET EARTH FAREWELL CONCERT, reviewed
When I first arrived for THE PLANET EARTH FAREWELL CONCERT I was having a really crappy day. The show quickly
#HFF24: ME, MYSELF AND WHY, reviewed
ME, MYSELF AND WHY (AM I HERE?) may be the closest thing to finding the meaning of life! It is
#HFF24: LINKS, reviewed – Gia On The Move
COPYRIGHT NOTICE Here, at Gia on the Move (GOTM), we work really hard… All of our original stories are written
#HFF24: UGLY LIES THE BONE, reviewed
Everything in UGLY LIES THE BONE is very technically clean. No actor on stage ever falters. The production is executed
#HFF24: SUCK MY TONGUE, reviewed
SUCK MY TONGUE is a genuinely frenetic comedy about a true incident involving the Dalai Lama, during an event in
#HFF24: NORTH OF PROVIDENCE, reviewed
NORTH OF PROVIDENCE is astonishingly fresh for a one-act play written in the 1980s. Jennifer Gouache and Michael Nardelli, simply
#HFF24: GASLIGHTING IS MY LOVE LANGUAGE, reviewed
When Fielding Edlow described her solo show, GASLIGHTING IS MY LOVE LANGUAGE, as ‘darkly comedic’, she was barely scratching the
#HFF24: WHERE WITHIN, reviewed – Gia On The Move
COPYRIGHT NOTICE Here, at Gia on the Move (GOTM), we work really hard… All of our original stories are written
#HFF24: LEDGE, reviewed – Gia On The Move
COPYRIGHT NOTICE Here, at Gia on the Move (GOTM), we work really hard… All of our original stories are written