La Grazia – first-look review
There was a time in the mid-00s when the prospect of a new film by Italy’s newest favourite son, Paolo Sorrentino, was
Little Trouble Girls review – profoundly sensuous…
It feels churlish to complain about the queer coming of age drama, especially when such films originate from countries that
Orphan – first-look review | Little White Lies
In the closing credits of Orphan, cinematographer Mátyás Erdély receives billing before the screenwriters. While unconventional, this order aligns with the
La Grazia – first-look review
There was a time in the mid-00s when the prospect of a new film by Italy’s newest favourite son, Paolo Sorrentino, was
Sex and the City 2 and the end of America
A purer cinema of excess has yet to be made. In classic sequel fashion everything here needs to be bigger,
On Swift Horses review – no wheel reinvention to…
It is hard to watch On Swift Horses without cynically regarding it as Jacob Elordi’s inevitable gay-for-pay moment. For every up-and-coming
Caught Stealing review – Darren Aronofsky gets…
It feels too easy to say Darren Aronofsky is the one who gets caught stealing in his latest directorial outing,
The Roses review – Cumberbatch and Colman’s…
Marriage and death are inescapably linked. The only way matrimony technically succeeds is through the “till death do us part”
LWLies 109: A Tilda Swinton Reader – Out now!
Inside the issue… Chapter One: Romance First Love On Tilda Swinton’s introduction to the world, in Derek Jarman’s Caravaggio. Words by
Put Your Soul On Your Hand And Walk review – we must keep Fatma Hassona's memory alive
Sepideh Farsi’s video calls with the late Palestinian photographer Fatma Hassona vividly document daily life in Gaza under Israel’s unrelenting