MOVIE
The Life Of Chuck review – soliloquy soup
- By West virginia digital
- . August 22, 2025
This year Mike Flanagan, known best for turning horror’s greatest novels into palatable limited television series for Netflix, is switching
The extreme vulnerability of Joaquin Phoenix
- By West virginia digital
- . August 22, 2025
Looking at his last four projects, it seems that Phoenix perfected his precise working formula – hyper-ambitious, complex-to-realise films from
The Regulars review – sweet and relatable
- By West virginia digital
- . August 21, 2025
Chances are if you’re a fan of the cinema you’ll have been to The Prince Charles Cinema in London’s Leicester Square.
In defence of the cinema date
- By West virginia digital
- . August 21, 2025
When I tell my friend that I’m writing a piece on cinema dates, he gives me a sideways look. “They’re a good third date,”
Young Mothers review – jumps from dramatic peak…
- By West virginia digital
- . August 21, 2025
The Dardenne brothers’ new film, Young Mothers, opens at a bus station, one of the unlovely and liminal spaces where their
Eva Victor: ‘I used the title as a way to reward…
- By West virginia digital
- . August 20, 2025
Eva Victor’s first brush with celebrity came through viral comedy videos, most famously one on Straight Pride, which earned them
Eddington review – a deeply cynical film for…
- By West virginia digital
- . August 20, 2025
This is the basic set-up of the film, and across an admirably light-footed 2 hours and 15 minutes it charts the incremental
Sorry, Baby review – a film about holding on to…
- By West virginia digital
- . August 19, 2025
Something very bad happened to Agnes. It’s hinted at in the first segment of Sorry, Baby, when her best friend Lydie
Nobody 2 review – a quick cash grab
- By West virginia digital
- . August 15, 2025
After the surprise success of 2021’s John Wick knock-off Nobody, it comes as no surprise that the Hollywood brain trust
My Grandmother Trelotótó review – a world of…
- By West virginia digital
- . August 15, 2025
Hoping to resurrect her late grandmother, Júlia, Catarina Ruivo combines family archives with rich visuals in a non-fiction film which successfully