Together review – Franco and Brie try conscious…
When David Cronenberg wrote The Brood in the late 1970s, the body horror maestro was going through an acrimonious divorce
Materialists review – earnest but underbaked…
When Elizabeth Bennet first gets a glimpse of Pemberley, Mr Darcy’s enormous estate, she experiences a fleeting pang of “something like regret”
Unmoored review – jars its own style
A huge sigh releases from deep within Maria (Mirja Turestedt) as she is greeted by a mob of photographers and journalists
Stans review – mostly the same old thing
There’s no denying that the rise of Eminem was a once-in-a-generation cultural phenom, especially when the poster boy for white rap
Weapons | Freakier Friday | Freaky Friday (2003)
On Truth & Movies this week, we discuss new releases Weapons and Freakier Friday and revisit Freaky Friday for Film
Weapons review – fun but familiar horror hijinks
If you’ve been to the cinema in the past few months, specifically to watch a horror film, you might have seen
Freakier Friday review – nothing quite compares…
For many millennials and Gen Z cinephiles, Mark Waters’ Freaky Friday is a cornerstone of early 2000s cinema. The third adaptation of Mary
Inside the inaugural edition of the Collective Film Festival London
A dispatch from a passionate grassroots project over in Finsbury Park. ‘Diversity’ and ‘inclusion’ have become corporate buzzwords, vibe-free boxes
Bring Her Back + Directors Danny and Michael Phillipou | The Naked Gun | Naked Gun (1988)
On the show this week we discuss Bring Her Back and speak to its delightful directors Danny and Michael Phillipou.
The Naked Gun review – not just more rebooted IP…
A good comedy must be funny; this shouldn’t be a debatable statement, and yet it would seem that as of late,