Eva Victor: ‘I used the title as a way to reward…
Eva Victor’s first brush with celebrity came through viral comedy videos, most famously one on Straight Pride, which earned them
Eddington review – a deeply cynical film for…
This is the basic set-up of the film, and across an admirably light-footed 2 hours and 15 minutes it charts the incremental
Sorry, Baby review – a film about holding on to…
Something very bad happened to Agnes. It’s hinted at in the first segment of Sorry, Baby, when her best friend Lydie
Nobody 2 review – a quick cash grab
After the surprise success of 2021’s John Wick knock-off Nobody, it comes as no surprise that the Hollywood brain trust
My Grandmother Trelotótó review – a world of…
Hoping to resurrect her late grandmother, Júlia, Catarina Ruivo combines family archives with rich visuals in a non-fiction film which successfully
Together review – Franco and Brie try conscious…
When David Cronenberg wrote The Brood in the late 1970s, the body horror maestro was going through an acrimonious divorce
Materialists review – earnest but underbaked…
When Elizabeth Bennet first gets a glimpse of Pemberley, Mr Darcy’s enormous estate, she experiences a fleeting pang of “something like regret”
Unmoored review – jars its own style
A huge sigh releases from deep within Maria (Mirja Turestedt) as she is greeted by a mob of photographers and journalists
Stans review – mostly the same old thing
There’s no denying that the rise of Eminem was a once-in-a-generation cultural phenom, especially when the poster boy for white rap
Weapons | Freakier Friday | Freaky Friday (2003)
On Truth & Movies this week, we discuss new releases Weapons and Freakier Friday and revisit Freaky Friday for Film