28 Ways Later | Little White Lies
If Danny Boyle and Alex Garland’s much-feted 28 Years Later taught us anything, it’s that the UK has struggled to
In the mood for In The Mood For Love
In hindsight, it is not surprising that the film’s nostalgic rendition of 1962 Hong Kong left such an indelible influence
The Sensual Elegance of I Am Love
This feature is the fourth in our summer series, La Dolce Vita: A Celebration of Italian Screen Style, in partnership with
Jurassic World: Rebirth review – struggles to…
Rather than a triumphant replay of the old hits, Jurassic World: Rebirth is a bit more like Malibu Stacy with a new hat. It’s a repackaged
Basketball: A Cinematic History | Little White Lies
White Men Can’t Jump is about as graceful as pop filmmaking can be. On the surface it’s a touch formulaic –
Hot Milk review – never properly gels
Rebecca Lenkiewicz adapts Deborah Levy’s best-selling novel, but the result is lacklustre. This icy psychodrama of deep familial discord plays
GriefTech: Death and Technology in The Shrouds,…
This trend can also be traced in recent television series. In Apple TV+’s Severance, biocorp giant Lumon manufactures brain chips that
Severed, Reprinted, Impersonated: The Rise of Cinema’s ‘Work Double’
A spate of recent works are pondering the concept of replicating or separating oneself in response to our increasingly economically
The Shrouds review – precision filmmaking of the…
It’s become a cliché to say that David Cronenberg’s The Fly remains one of the most heartbreaking films of the 1980s,
Jurassic Park and the story of the modern…
One sub-strand of popular criticism that interests me greatly is when someone claims to have “a theory” about a movie. It’s