Giant review – another tired boxing biopic for…
It’s nearing a quarter-century since the retirement of “Prince” Naseem Hamed, Sheffield’s world champion boxer of Yemeni heritage. For a while, in
Peter Hujar’s Day review – Ira Sachs’ best film…
It’s only a matter of time before kids are doing the Peter (Hujar) Pilgrimage: a leisurely photographer’s stroll down New York’s 2nd
Chloé Zhao: ‘There’s a desire for the language of…
The career ascent of writer/director Chloé Zhao has been immense, taking in intimate indie dramas (Songs My Brother Taught Me,
Hamnet review – Jessie Buckley could make a stone…
This is a film about what it means to have children and the pulverising consequences that come from potentially losing them
It’s a Wrap: 2025 in Film
Emily Maskell Five personal favourite films of 2025 Sentimental Value (Joachim Trier) Sorry, Baby (Eva Victor) April (Dea Kulumbegashvili) Flow (Gints
The Housemaid review – what a mess
I first became acquainted with Freida McFadden’s New York Times bestselling thriller ‘The Housemaid’ earlier in 2025, when I stumbled across
Bowie: The Final Act review – revisiting the…
In 2016, David Bowie’s death shook the world like a supernova – a deliberately-staged explosion that collapsed a lifetime of personas into a single, blinding
Marty Supreme review – Josh Safdie working at a…
I’m really in pursuit of greatness,” Timotheé Chalamet announced in February 2025 while accepting the Screen Actor’s Guild Award for
The 10 best TV shows of 2025
From Star Wars canon expansion to the conclusion of a university-set sitcom and Vince Gilligan’s highly anticipated return to the small
Joachim Trier: ‘I cling to life’
Crafting a complex portrait of a fraught father-daughter relationship set against a grand dragestil family home in Oslo, Joachim Trier turns to family,