MOVIE

Peter Cushing lives forever in Whitstable
- By West virginia digital
- . July 4, 2025
I, on the other hand, was determined to commit as much of my day to memory as I could – and

M3gan 2.0 review – a silly sequel shooting for…
- By West virginia digital
- . July 4, 2025
The better moments are in the friction between M3GAN and her human companions; the eccentricities of her being programmed for

Chicken Town review – how do you make a granddad…
- By West virginia digital
- . July 4, 2025
Like the doddering sexagenarian at the centre of its plot, Chicken Town lumbers along, frequently mis-stepping and fluffing its lines. It’s

Brats in Bondage: Lessons in defiance from Tank…
- By West virginia digital
- . July 3, 2025
AI overlords, environmental deadlock, obscene wealth inequality, and emergent authoritarianism – it all reads like the opening crawl of some

F1 + Joseph Kosinski | M3GAN 2.0 | Speed Racer (2008)
- By West virginia digital
- . July 3, 2025
On Truth & Movies this week, we discuss the high speed blockbuster F1 and spoke to its director Joseph Kosinski.

28 Ways Later | Little White Lies
- By West virginia digital
- . July 3, 2025
If Danny Boyle and Alex Garland’s much-feted 28 Years Later taught us anything, it’s that the UK has struggled to

In the mood for In The Mood For Love
- By West virginia digital
- . July 3, 2025
In hindsight, it is not surprising that the film’s nostalgic rendition of 1962 Hong Kong left such an indelible influence

The Sensual Elegance of I Am Love
- By West virginia digital
- . July 3, 2025
This feature is the fourth in our summer series, La Dolce Vita: A Celebration of Italian Screen Style, in partnership with

Jurassic World: Rebirth review – struggles to…
- By West virginia digital
- . July 3, 2025
Rather than a triumphant replay of the old hits, Jurassic World: Rebirth is a bit more like Malibu Stacy with a new hat. It’s a repackaged

Basketball: A Cinematic History | Little White Lies
- By West virginia digital
- . July 3, 2025
White Men Can’t Jump is about as graceful as pop filmmaking can be. On the surface it’s a touch formulaic –