Deciphering Don Hertzfeldt’s ME
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The Crime is Mine review – Huppert steals the show
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Can a 100-year-old cinema survive without a venue?
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The Apprentice review – Demands sympathy for the devil
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A Sudden Glimpse to Deeper Things review – effusive ode to Willie Barns-Graham
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The unending labour of Amos Gitaï’s House
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Milisuthando review – an intimate, nuanced cine-essay
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How to create a fictional pop superstar
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Smile 2 review – this is going to ruin the tour
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The gravitas of Ving Rhames
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