MOVIE
The Golden Spurtle review – very sweet, not…
- By West virginia digital
- . September 12, 2025
Eccentric food-preparation competitions are usually the domain of eagle-eyed TV execs who must attempt to work out the drama can
From Ground Zero: Stories from Gaza review – a…
- By West virginia digital
- . September 12, 2025
For anyone that has paid even a modicum of attention to the daily images coming out of Palestine, the scenes that
Spinal Tap II: The End Continues review –…
- By West virginia digital
- . September 11, 2025
It’s sad to have to admit but a certain two word review came to mind while watching Rob Reiner’s belated and
Blue Heron – first-look review
- By West virginia digital
- . September 11, 2025
Sophy Romvari’s movies are slippery things. The Canadian filmmaker already has something of a cult following among very-online cinephiles despite only
Two Pianos – first-look review
- By West virginia digital
- . September 11, 2025
Vivacious, neurotic and stubborn, with imploring eyes and cheeks that take on a rosy flush when photographed on film, Nadia Tereszkiewicz, star
The Long Walk review – more televised deathsports…
- By West virginia digital
- . September 10, 2025
TV and cinema is obsessed with selling us the notion that people are, in the main, absolutely fine with watching
Venice Film Festival Special 2025
- By West virginia digital
- . September 10, 2025
On Truth & Movies this week, we come to you live from the city that gave us Don’t Look Now and
Islands review – if Challengers were a European…
- By West virginia digital
- . September 10, 2025
There’s a man face down in the sand, unmoving. Nothing but vast golden sand dunes and endless blue sky surrounds him.
The Christophers – first-look review
- By West virginia digital
- . September 9, 2025
The aging painter Julian Sklar (Ian McKellen) of Steven Soderbergh’s The Christophers is introduced recording cameos, donning a beret for the occasion
The Fence – first-look review
- By West virginia digital
- . September 9, 2025
A period piece inspired by her own childhood as the daughter of a French colonial official in Africa, Claire Denis’s first