‘We’re witnessing an awakening of consciousness’
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The Last Dance review – air-headed escapism
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Emilia Pérez review – a musical that barely wants to be a musical
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Dahomey review – a blueprint for anti-colonialist action
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The Room Next Door review – something is missing
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Deciphering Don Hertzfeldt’s ME
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The Crime is Mine review – Huppert steals the show
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Can a 100-year-old cinema survive without a venue?
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The Apprentice review – Demands sympathy for the devil
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A Sudden Glimpse to Deeper Things review – effusive ode to Willie Barns-Graham
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