MOVIE
The quiet pro-life narratives of today’s horror
- By West virginia digital
- . June 15, 2026
It’s a tale as old as time, or at least as old as the twee mother-daughter series Gilmore Girls. A young single woman
Disclosure Day | The War Of The Worlds | Close Encounters Of The Third Kind | E.T.
- By West virginia digital
- . June 15, 2026
On Truth & Movies this week, we discuss Steven Spielberg’s Disclosure Day. We then take a look at some of
Time and Water review – a lament for a…
- By West virginia digital
- . June 11, 2026
“I cannot send you a glacier, but at least I can send you this.” Time and Water sets out its purpose early on.
Scott Z Burns | Erupcja + Pete Ohs | Enzo
- By West virginia digital
- . June 10, 2026
On Truth & Movies this week, we meet up with Scott Z. Burns to chat all things Contagion and SXSW
Disclosure Day review – distinctly lacking in…
- By West virginia digital
- . June 9, 2026
So far, so Spielberg – he sets the stage for an ambitious, epic, action-heavy story about a group of do-gooders facing
Feast or Famine – first-look review
- By West virginia digital
- . June 9, 2026
A Michelin star can change a restaurant’s fortunes overnight, but Feast or Famine, a documentary about the pursuit of that prestigious seal of
In the Hand of Dante review – a high-minded mess
- By West virginia digital
- . June 9, 2026
In his narrative poem ‘The Divine Comedy’, accepted to have been written between 1308 and 1321 and widely considered to
The Fall Of Sir Douglas Weatherford review –…
- By West virginia digital
- . June 9, 2026
There’s a terrific episode of The Simpsons in which Springfield is chosen as the shooting location for a film adaptation of geek-favourite
The Boy with the Light-Blue Eyes – first-look…
- By West virginia digital
- . June 9, 2026
A cursed teenager dreams of escape in Thanasis Neofotistos’ folkloric debut feature, The Boy with the Light-Blue Eyes. Set in
Sensory Pleasures and Queer Realities: A Queer…
- By West virginia digital
- . June 9, 2026
From these silent rooms, enclosed interiors, and coded meeting points, the festival’s first half began to feel less like a sequence