Köln 75 review – hammers with propulsive,…
In the opening refrain of Ido Fluk’s Köln 75, music journalist Michael Watts (Michael Chernus) addresses the audience and compares
A T&M Cannes Film Festival Special #2
A T&M Cannes Film Festival Special #2 On Truth & Movies this week, Hannah Strong reports live from the Cannes
Erupcja review – a witty and tender adventure
In Olivia Laing’s ’The Lonely City’, they eloquently stated, ”I wanted very much not to be where I was… the feelings
Hacks was always a love story
Hacks contains multitudes; at once it’s a giddy comedy, an unpredictable drama, and an endlessly fruitful sitcom, but more than anything, Hacks
Power Ballad review – amiable musical comedy…
The name of the film is Power Ballad; the name of its lead character is Rick Power. Is there anything
Tuner review – woefully off-key
Cinema has the power to shape perceptions of entire groups of people. People with AIDS are Tom Hanks in Philadelphia (1993);
Backrooms review – sincerely disturbing and…
Western horror cinema tends to come in waves: 80s slashers, 90s meta-comedies, 2000s torture porn, 2010s found footage, and most
Andrzej Wajda’s Cinema of Complicated Defiance at…
The end of the war does not produce liberation, but merely transforms one unstable political condition into another. The final
The Dreamed Adventure – first-look review
In Valeska Grisebach’s last film, from 2017, a German laborer in Bulgaria to work on an infrastructure project explores the hillsides
The End of It – first-look review
Despite an intriguing sci-fi premise, Maria Martínez Bayona’s feature debut is a tonally mismatched and unintentionally comedic slog. As tradition