Karim Aïnouz: ‘I was interested in questioning…
Brazilian-Algerian director Karim Aïnouz is a keen collaborator. He doesn’t write his own screenplays and was intrigued by Efthimis Filippou’s modern
Rosebush Pruning review – a dark-hearted,…
Forget roses – we need to talk about violets of the shrinking variety, especially in reference to those who caught
The Invite | Nirvanna the Band the Show the Movie | The Exterminating Angel (1962)
On Truth & Movies this week, we discuss Olivia Wilde’s relationship comedy The Invite and Matt Johnson’s anarchic time-travel comedy
Where Comes La Cage: A Queer East Correspondence
The boldest and most playful version of this idea comes in Ratchapoom Boonbunchachoke’s A Useful Ghost (2025). The film moves through
Birds of War review – boundary-breaking love story
What does it look like to build a life with someone you’ve never actually been in the same room as? Birds of
Nirvanna the Band the Show the Movie the Article
Repetition is a part of this theatre of the absurd. As “Matt and Jay try to get a show at The Rivoli…”
My Father’s Island review – gestures towards…
A remote cabin in the Norwegian fjords, a boy and his absent father – My Father’s Island has all the makings
Nirvanna the Band the Show the Movie review –…
For the uninitiated, Nirvanna the Band the Show began life as a Canadian mockumentary web series created by Matt Johnson and
Radical Film School and the Political Cinema of…
As a Palestinian filmmaker, Farouky has first-handedly experienced the fickle franchising of radical aesthetics from national platforms. He has previously been
The Invite review – a roaring poly-rom-com
Upon its release in 1969, Paul Mazursky’s Bob & Carol & Ted & Alice was both praised and criticised for being a social commentary