Summertime Solitude: The Green Ray at 40
“It will be ‘green,’ but a most wonderful green, a green which no artist could ever obtain on his palette, a green which
Evil Dead Burn review – struggles to stay alight
Since Sam Raimi’s gruesome franchise was brought screaming back to life with the 90-minute bloody ascension that is Evil Dead
Our Hero, Balthazar review – perceptive dark…
With social media morphing into a domineering beast over the years, young people are increasingly using it as something to hide
The Last One For The Road review – loose, funny…
Two ageing drinkers, Carlobianchi (Sergio Romano) and Doriano (Pierpaolo Capovilla) in Francesco Sossai’s The Last One for the Road drift
The Process of Art at Annecy Animation Festival
The Annecy International Animation Film Festival feels as though it’s about the process as much as it is the exhibition
Five Years, Four Months – first-look review
An intriguing and lightly surreal account of one Columbian mother’s obsessive search for her missing son. For many, grief is
3 Weeks After – first-look review
A miserable, cynical and histrionic dirge into the lives of contemporary highschoolers who, according to Serbian director Miroslav Terzićand screenwriter
Black Money for White Nights – first-look review
If you want to get something done in Bulgaria, you’ve got to repress any moral scruples you may have and
The Lion at My Back – first-look review
When you’ve got a lion behind you and the sea in front of you, the only choice is to dive in
Karim Aïnouz: ‘I was interested in questioning…
Brazilian-Algerian director Karim Aïnouz is a keen collaborator. He doesn’t write his own screenplays and was intrigued by Efthimis Filippou’s modern